His one nomination was for 1941's Sun Valley Serenade, featuring the Glen Miller Orchestra.
One of them, Emil Newman, similarly composed, conducted and scored hundreds of movies. "Hundreds of films that he either composed or conducted."Īlfred Newman would also win nine out of his 36 Oscar nominations, and bring his two younger brothers into the business.
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" Wuthering Heights, The Hunchback of Notre Dame, How to Marry A Millionaire, The Song of Bernadette, How Green Was My Valley, and on and on," Stone marvels.
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(Stone knows a thing or two about movie music he hosts a radio show about it called The Score.) He wrote the classic pre-credits fanfare you can probably sing in your sleep.Įdmund Stone says that when Alfred Newman ran the studio's music division, he was a prolific composer whose lush, expressive music was intended to heighten the film's acting and dialogue. He set to work adapting the era's musicals to the screen, including the still classic Whoopee!, starring Eddie Cantor, and Reaching For the Moon, with Douglas Fairbanks.Įven today, you can hear Alfred Newman's work at the beginning of every movie from 20th Century Fox. Movie music was still an innovative technology when Newman arrived in California in 1930, only a few years after the release of the very first film with a score. They're part of a musical dynasty that began almost a century ago.īorn in 1901, Alfred Newman was a child piano prodigy, who supported his family by playing on the vaudeville circuit before becoming a Broadway conductor at age 17.
Alfred, Lionel, Emil, Thomas, David and Randy Newman have more than 80 nominations between them for music direction, scoring, song, composition and score. This story was inspired by a question at an insanely hard Oscars trivia night in Los Angeles last year: Which family has the most Oscar nominations?Īt the time, I had no idea, but the extremely smart people I was playing with knew immediately. Louis Armstrong and Barbra Streisand have a laugh on the set of Hello, Dolly! The 1969 musical comedy won an Oscar for its score, co-composed by Lionel Newman.
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